Kevin B. Chen
  • Home
  • Work
    • Studio Work
      • Drawing
      • Accordion Books
      • John Erickson Museum of Art (JEMA)
      • Museum of Pocket Art (MoPA)
      • Magnets
      • Collage
      • A Pack A Day
      • Other
    • Curatorial Projects
      • Over and Under (2020)
      • Copycat (2019)
      • Building the Building (2019)
      • San José State University MFA Thesis Exhibition (2019)
      • Once at Present: Contemporary Art of the Bay Area Iranian Diaspora (2019)
      • Built Environments (2019)
      • Culture Catalyst (2018)
      • Detritus (2017)
      • Preternatural (2016)
      • Bring It Home: (Re)Locating Cultural Legacy Through the Body (2016)
      • (Im)materiel (2015)
      • Why Can't the First Part of the Second Party... (2014)
      • Infrastructure (2014)
      • Califas (2013)
      • Evidence: Artistic Responses to the Drug Cartel Wars (2013)
      • Bruns Amphitheater (2013)
      • Ants in the City (2013)
      • By-product Becomes Product (2013)
      • Determining Domain (2012-13)
      • (re)collection (2012)
      • Motion Graphics: In and Beyond the Street (2012)
      • In Other Words (2012)
      • Here Be Dragons: Mapping Information and Imagination (2011-12)
      • Chico & Chang (2011-2012)
      • Hiding in Plain Sight (2011)
      • EcoArchive: Mediations on Time and Nature (2010-11)
      • Let's Talk of a System (2010)
      • The Bodies Are Back (2010)
      • One Day: A Collective Narrative of Tehran (2009-10)
      • Bay Area Currents (2009)
      • Present Tense Biennial: Chinese Character (2009)
      • somewhere in advance of nowhere: youth, imagination and transformation (2008)
      • How I Learned To... (2008)
      • The Prison Project (2008)
      • Don't Try This at Home (2007)
      • Most Wanted (2007)
      • Free Chocolate (2006-07)
      • Terror? (2006)
      • Disrupted (2006)
      • Battle Emblems (2006)
      • Perpetual Motion/Movimiento Perpetuo (2005)
      • Blueprints (2005)
      • Life Cycle Analysis (2005)
      • Paper Bullets: A War of Words (2004)
      • Elemental (2004)
      • Beautiful Ugly Violence (2004)
      • Agua y Tiempo/Water and Time (2003-04)
      • This World Is Beginning To Tremble: Ché = R + Evolution (2003)
      • The Multiplication of Bread/La Multiplication de los Panes (2002)
      • The People's Plan (2002)
      • Frankenstein's Hearts (2001-02)
      • Capital Culture/Media Punishment (2001)
      • Code 33 (2001)
      • The Mexican Problem (2000)
      • Seismicity (2000)
    • Writing
  • Links
  • Resume
  • Contact/Info
Kevin B. Chen
  • Home
  • Work
    • Studio Work
      • Drawing
      • Accordion Books
      • John Erickson Museum of Art (JEMA)
      • Museum of Pocket Art (MoPA)
      • Magnets
      • Collage
      • A Pack A Day
      • Other
    • Curatorial Projects
      • Over and Under (2020)
      • Copycat (2019)
      • Building the Building (2019)
      • San José State University MFA Thesis Exhibition (2019)
      • Once at Present: Contemporary Art of the Bay Area Iranian Diaspora (2019)
      • Built Environments (2019)
      • Culture Catalyst (2018)
      • Detritus (2017)
      • Preternatural (2016)
      • Bring It Home: (Re)Locating Cultural Legacy Through the Body (2016)
      • (Im)materiel (2015)
      • Why Can't the First Part of the Second Party... (2014)
      • Infrastructure (2014)
      • Califas (2013)
      • Evidence: Artistic Responses to the Drug Cartel Wars (2013)
      • Bruns Amphitheater (2013)
      • Ants in the City (2013)
      • By-product Becomes Product (2013)
      • Determining Domain (2012-13)
      • (re)collection (2012)
      • Motion Graphics: In and Beyond the Street (2012)
      • In Other Words (2012)
      • Here Be Dragons: Mapping Information and Imagination (2011-12)
      • Chico & Chang (2011-2012)
      • Hiding in Plain Sight (2011)
      • EcoArchive: Mediations on Time and Nature (2010-11)
      • Let's Talk of a System (2010)
      • The Bodies Are Back (2010)
      • One Day: A Collective Narrative of Tehran (2009-10)
      • Bay Area Currents (2009)
      • Present Tense Biennial: Chinese Character (2009)
      • somewhere in advance of nowhere: youth, imagination and transformation (2008)
      • How I Learned To... (2008)
      • The Prison Project (2008)
      • Don't Try This at Home (2007)
      • Most Wanted (2007)
      • Free Chocolate (2006-07)
      • Terror? (2006)
      • Disrupted (2006)
      • Battle Emblems (2006)
      • Perpetual Motion/Movimiento Perpetuo (2005)
      • Blueprints (2005)
      • Life Cycle Analysis (2005)
      • Paper Bullets: A War of Words (2004)
      • Elemental (2004)
      • Beautiful Ugly Violence (2004)
      • Agua y Tiempo/Water and Time (2003-04)
      • This World Is Beginning To Tremble: Ché = R + Evolution (2003)
      • The Multiplication of Bread/La Multiplication de los Panes (2002)
      • The People's Plan (2002)
      • Frankenstein's Hearts (2001-02)
      • Capital Culture/Media Punishment (2001)
      • Code 33 (2001)
      • The Mexican Problem (2000)
      • Seismicity (2000)
    • Writing
  • Links
  • Resume
  • Contact/Info
© KEVIN B. CHEN
Website by OtherPeoplesPixels

Curatorial Projects > Copycat (2019)

Copycat

A group exhibition featuring work by Libby Black, Enrique Chagoya, Kota Ezawa, Nina Katchadourian, Scott Kildall, Scott Kildall & Bryan Cera, Michael Mandiberg, Sean Peeler, Stephanie Syjuco, Charlene Tan, Chris Thorson, and Daren Wilson. With work from students in SFSU's Spring 2019 Language of Observational Painting classes taught by Libby Black and Pablo Cristi.

September 21 – October 31, 2019
Fine Arts Gallery at San Francisco State University
San Francisco, CA

• Squarecylinder, "Copycat @ SF State" by David M. Roth (October 10, 2019)

• KQED Arts, "The Best Art I Saw in 2019" by Sarah Hotchkiss (December 19, 2019)

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© KEVIN B. CHEN
Website by OtherPeoplesPixels