Ronnie Goodman
Under The Bullet Holes Shat, 2007
Acrylic on canvas board
Courtesy San Quentin’s Arts-in-Corrections Program
Goodman's painting is of one of the open areas at San Quentin State Prison, right outside of the Arts-in-Corrections workshop room. Years ago, guards used live rounds as warning signals to the inmate population, shooting up into the air and penetrating the roofing. The holes still exist, and light beams straight through to the ground on sunny days.
The Prison Project
February 20 - March 29, 2008
Intersection for the Arts
San Francisco, CA
Under The Bullet Holes Shat, 2007
Acrylic on canvas board
Courtesy San Quentin’s Arts-in-Corrections Program
Goodman's painting is of one of the open areas at San Quentin State Prison, right outside of the Arts-in-Corrections workshop room. Years ago, guards used live rounds as warning signals to the inmate population, shooting up into the air and penetrating the roofing. The holes still exist, and light beams straight through to the ground on sunny days.
The Prison Project
February 20 - March 29, 2008
Intersection for the Arts
San Francisco, CA
